The Art of Thomas Gainsborough

The Art of Thomas Gainsborough
Author: Michael Rosenthal
Publisher: Paul Mellon Ctr for Studies
Total Pages: 312
Release: 1999
Genre: Art
ISBN: 9780300081374

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"The book begins by charting the geography and professional tactics of a career that took Gainsbourgh from London to Suffolk, Bath and eventually back to London. Rosenthal looks at such wide-ranging topics as how artists manipulated the press, the issue of likeness in portraiture, how rivalries between painters were handled in public and private, and the pressures of the public exhibition. The second part of the book explores the manifestations of Gainsborugh's aesthetic in portraiture, landscape painting and paintings of sensibility. Rosenthal concludes with a discussion of the problem of defining a role and proper form for the fine arts at a time of rapid social change and innovation."--BOOK JACKET.


The Art of Thomas Gainsborough
Language: en
Pages: 312
Authors: Michael Rosenthal
Categories: Art
Type: BOOK - Published: 1999 - Publisher: Paul Mellon Ctr for Studies

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"The book begins by charting the geography and professional tactics of a career that took Gainsbourgh from London to Suffolk, Bath and eventually back to London
A History of Gainsborough and District
Language: en
Pages: 72
Authors:
Categories: Gainsborough (Sask.)
Type: BOOK - Published: 1955 - Publisher:

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Gainsborough in London
Language: en
Pages: 412
Authors: Susan Sloman
Categories:
Type: BOOK - Published: 2021-03-09 - Publisher: Modern Art Press, Limited

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Thomas Gainsborough's (1727-88) London years, from 1774 to 1788, were the pinnacle and conclusion of his career. They coincided with the establishment of the Ro
The Making of Modern Gainsborough
Language: en
Pages: 68
Authors: Ian Beckwith
Categories: Gainsborough (England)
Type: BOOK - Published: 1968 - Publisher:

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Thomas Gainsborough and the Modern Woman
Language: en
Pages: 0
Authors: Aileen Ribeiro
Categories: Art and society
Type: BOOK - Published: 2010 - Publisher:

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The "grand" portrait has long been understood to have played a pivotal part in the self-definition of Georgian society: not only was a likeness presented to a c