African Drama and Performance. African Expressive Cultures

African Drama and Performance. African Expressive Cultures
Author: John Conteh-Morgan
Publisher:
Total Pages:
Release: 2004
Genre:
ISBN:

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[African Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies o.


African Drama and Performance. African Expressive Cultures
Language: en
Pages:
Authors: John Conteh-Morgan
Categories:
Type: BOOK - Published: 2004 - Publisher:

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[African Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging
African Drama and Performance
Language: en
Pages: 285
Authors: John Conteh-Morgan
Categories: Drama
Type: BOOK - Published: 2004-10 - Publisher: Indiana University Press

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This title explores the diversity of the performing arts in Africa and the diaspora, from studies of major dramatic authors and formal literary dramas to improv
Trends in Twenty-First-Century African Theatre and Performance
Language: en
Pages: 458
Authors: Kene Igweonu
Categories: Business & Economics
Type: BOOK - Published: 2011 - Publisher: Rodopi

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Trends in Twenty-First Century African Theatre and Performance is a collection of regionally focused articles on African theatre and performance. The volume pro
New Francophone African and Caribbean Theatres
Language: en
Pages: 230
Authors: John Conteh-Morgan
Categories: Literary Criticism
Type: BOOK - Published: 2010-08-03 - Publisher: Indiana University Press

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John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practic
African Theatres and Performances
Language: en
Pages: 209
Authors: Osita Okagbue
Categories: Performing Arts
Type: BOOK - Published: 2013-05-13 - Publisher: Routledge

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African Theatres & Performances looks at four specific performance forms in Africa and uses this to question the tendency to employ western frames of reference