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Poet, critic, impresario, gadfly, visionary, tastemaker: more than anyone, Guillaume Apollinaire embodies the frenzied art world of Paris in the early 20th century. His rampant enthusiasms and antipathies, and his remarkable acumen, make him still today the most evocative commentator on the intellectual ferment of the time. In 1905 he championed Picasso and in 1907 he promoted Braque in reviews that were amazingly sharp and prescient. He first identified the importance of Delaunay, Duchamp, and Rousseau, coined the word "Surrealism," and almost singlehandedly pushed Cubism into the mainstream. With a new preface by Roger Shattuck, this edition of Apollinaire on Art is the only collection in English of these seminal and ever fresh writings.
Poet, critic, impresario, gadfly, visionary, tastemaker: more than anyone, Guillaume Apollinaire embodies the frenzied art world of Paris in the early 20th cent
In this, the only full-length study of the visual poetry of the early twentieth century, Willard Bohn expertly illuminates the works of Apollinaire, Josep-Maria
This is a new, authoritative translation and critical edition of one of the twentieth-century's most important and poetically resonant books on Picasso, Braque,
More than anything, perhaps, this volume strives to elucidate the concept of poesie critique, which has received very little attention. This omission is surpris