Cinema, Law, and the State in Asia

Cinema, Law, and the State in Asia
Author: C. Creekmur
Publisher: Springer
Total Pages: 241
Release: 2007-06-25
Genre: Social Science
ISBN: 0230604919

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This book explores the intersections of film, justice, and the state in comparative perspective across a range of major Asian countries, including India, China, Japan, Korea, the Philippines, and Vietnam. The contributing authors cross the conventional border between the analysis of on-screen and off-screen intersections of law and cinema.


Cinema, Law, and the State in Asia
Language: en
Pages: 241
Authors: C. Creekmur
Categories: Social Science
Type: BOOK - Published: 2007-06-25 - Publisher: Springer

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This book explores the intersections of film, justice, and the state in comparative perspective across a range of major Asian countries, including India, China,
Cinema, Law, and the State in Asia
Language: en
Pages: 239
Authors: C. Creekmur
Categories: Social Science
Type: BOOK - Published: 2007-07-24 - Publisher: Palgrave Macmillan

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This book explores the intersections of film, justice, and the state in comparative perspective across a range of major Asian countries, including India, China,
Cultural Control and Globalization in Asia
Language: en
Pages: 338
Authors: Laikwan Pang
Categories: History
Type: BOOK - Published: 2007-05-07 - Publisher: Routledge

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This is a succint and well-written book introducing a truly interdisciplinary approach to the study of copyright and related issues in contemporary popular cult
Melodrama and Asian Cinema
Language: en
Pages: 300
Authors: Wimal Dissanayake
Categories: Drama
Type: BOOK - Published: 1993-05-28 - Publisher: Cambridge University Press

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This unique study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines, and Australia.
Colonialism and Nationalism in Asian Cinema
Language: en
Pages: 266
Authors: Wimal Dissanayake
Categories: Performing Arts
Type: BOOK - Published: 1994-10-22 - Publisher: Indiana University Press

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" . . . an important collective work for communication practitioners, students, and scholars who want to have a deeper understanding of film making in Asia and