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"Margaret McGowan examines the diverse forms of dance in the Renaissance, contemporary attitudes towards dance, and the light this throws on moral, political and aesthetic concerns of the time. Among the subjects she covers are: expectations of dance; style, costume, music and social coding; court dance versus social dancing; dance and the Valois dynasty; professional dancers, virtuosos and choreographers; burlesque; opposition to dance; and dance and the people. McGowan's sophisticated analysis of formal dance treatises allows her to recreate a sense of the actual practice of Renaissance dance and the mechanics of making a ballet. Nearly one hundred illustrations, many of them rare, accompany the text."--BOOK JACKET.
"Margaret McGowan examines the diverse forms of dance in the Renaissance, contemporary attitudes towards dance, and the light this throws on moral, political an
The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly soci
Fabritio Caroso was dancing master to some of the greatest princely families of Italy, and Nobiltà di dame, his sumptuous collection of ballroom dances and the
The most valuable resource for 16th-century dances and dance music, this volume describes galliards, pavans, branles, gavottes, lavolta, basse dance, morris dan
Covering eight classical dance forms of India Bharatanatyam, Kathak, Kuchipudi, Kathakali, Manipuri, Mohiniattam, Odissi and Sattriya Leela Venkataraman seamles
