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Due to computers' ability to combine different semiotic modes, texts no longer exclusively comprise static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms? These and other questions are addressed in this volume, which assembles contributions by artists, writers, scholars, and editors such as Dene Grigar, Sandy Baldwin, Carlos Reis, and Frieder Nake. They offer a multiperspectival view on the way digital media have changed our notion of textuality.
Due to computers' ability to combine different semiotic modes, texts no longer exclusively comprise static images and mute words. How have digital media changed
Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media
The first systematic, comprehensive reference covering the ideas, genres, and concepts behind digital media. The study of what is collectively labeled “New Me
Digital Textuality explores the ways in which the English language is used in new media technologies. This undergraduate textbook covers a range of digital text
Textuality is the condition in which a text is created, edited, archived, published, disseminated, and consumed. “Texts,” therefore, encompass a broad varie