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A feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mieke Bal weaves a tapestry of signs and meanings that enrich our senses. Her subject is the act of showing, the gesture of exposing to view. In a museum, for example, the object is on display, made visually available. "That's how it is," the display proclaims. But who says so? Bal's subjects are displays from the American Museum of Natural History, paintings by such figures as Courbet, Caravaggio, Artemisia Gentileschi, and Rembrandt, as well as works by twentieth-century artists, and such literary texts as Shakespeare's Rape of Lucrece.
A feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mieke Bal weaves a tapestry of signs and me
This is the first book to document the extensive collaboration between writers and photographers in Latin America from the Mexican Revolution through the twenti
This work explores the connections between two of the most transformative processes of the 21st century, global environmental change and globalization. It prese
A new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the United Kingdom, Double Exposur
This exquisite limited-edition book, designed by Anna Zagala/Sweet Polka brings together 45 photographs by artist David Rosetzky accompanied by an essay from Dr