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This volume is based on the recognition that heritage is popular and popular culture is now readily transformed into heritage whose meanings and myths reshape social life and political and economic realities as well as re-make “tradition.” The papers in this volume consider: What does popular heritage look like? To whom does it speak? Is it active in dissolving class and cultural boundaries or just in reproducing new ones? How do societies manage a heritage that is fluid, immediate and that straddles extremes of serious conflict and hedonistic frivolity? When/under what circumstances is the creation and expression of new cultural forms – popular culture – capable of being transformed into heritage?.
This volume is based on the recognition that heritage is popular and popular culture is now readily transformed into heritage whose meanings and myths reshape s
DIVA collection of essays that examine the production and consumption of Asian American popular culture, from musical expression to television cooking shows./di
Remembering Popular Music’s Past capitalizes on the growing interest, globally, in the preservation of popular music’s material past and on scholarly explor
History is an encounter with the past, and the past is a history of encounters. Encounters in World History is designed to introduce students to both of these s
This collection of essays asserts the specific value of world history research and teaching, showing how the field contributes to the larger historical professi
