Entanglements, Or Transmedial Thinking about Capture

Entanglements, Or Transmedial Thinking about Capture
Author: Rey Chow
Publisher: Duke University Press
Total Pages: 206
Release: 2012-04-11
Genre: Education
ISBN: 0822352303

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This follow-up volume to our book The Age of the World Target collects interconnected entangled essays of literary and cultural theorist Rey Chow. The essays take up ideas of violence, capture, identification, temporality, sacrifice, and victimhood, engaging with theorists from Derrida and Deleuze to Agamben and Rancière.


Entanglements, Or Transmedial Thinking about Capture
Language: en
Pages: 206
Authors: Rey Chow
Categories: Education
Type: BOOK - Published: 2012-04-11 - Publisher: Duke University Press

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This follow-up volume to our book The Age of the World Target collects interconnected entangled essays of literary and cultural theorist Rey Chow. The essays ta
Sentimental Fabulations, Contemporary Chinese Films
Language: en
Pages: 290
Authors: Rey Chow
Categories: Literary Criticism
Type: BOOK - Published: 2007 - Publisher: Columbia University Press

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What is the sentimental and how can we understand it through the cinema of a particular culture in an age of globalisation? Chow explores these questions by exa
A Face Drawn in Sand
Language: en
Pages: 158
Authors: Rey Chow
Categories: Literary Criticism
Type: BOOK - Published: 2021-04-13 - Publisher: Columbia University Press

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Leadership, innovation, diversity, inclusiveness, sharing, accountability—such is the resounding administrative refrain we keep hearing in the contemporary We
Digital Masquerade
Language: en
Pages: 208
Authors: Jia Tan
Categories: Antiques & Collectibles
Type: BOOK - Published: 2023-02-14 - Publisher: NYU Press

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"Highlighting the often-neglected queer presence in Chinese feminist movements, Digital Masquerade charts the formation of a new wave of rights feminism and que
New Taiwanese Cinema in Focus
Language: en
Pages:
Authors: Flannery Wilson
Categories: Performing Arts
Type: BOOK - Published: 2015-05-29 - Publisher: Edinburgh University Press

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In the Taiwanese film industry, the dichotomy between 'art-house' and commercially viable films is heavily emphasized. However, since the democratization of the