Film and Phenomenology

Film and Phenomenology
Author: Allan Casebier
Publisher: Cambridge University Press
Total Pages: 184
Release: 1991-10-25
Genre: Performing Arts
ISBN: 9780521411325

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Film and Phenomenology presents a new approach to the question of cinematic representation, which runs contrary to the course of contemporary film theory.Film and Phenomenology presents a new approach to the question of cinematic representation which runs contrary to the course of contemporary film theory.


Film and Phenomenology
Language: en
Pages: 184
Authors: Allan Casebier
Categories: Performing Arts
Type: BOOK - Published: 1991-10-25 - Publisher: Cambridge University Press

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Film and Phenomenology presents a new approach to the question of cinematic representation, which runs contrary to the course of contemporary film theory.Film a
Phenomenology of Film
Language: en
Pages: 221
Authors: Shawn Loht
Categories: Philosophy
Type: BOOK - Published: 2017-08-25 - Publisher: Lexington Books

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Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the phi
Phenomenology and the Future of Film
Language: en
Pages: 387
Authors: J. Chamarette
Categories: Performing Arts
Type: BOOK - Published: 2012-09-28 - Publisher: Springer

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Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its
Film Phenomenology and Adaptation
Language: en
Pages: 250
Authors: David E. Richard
Categories: Performing Arts
Type: BOOK - Published: 2021-03-30 - Publisher: Amsterdam University Press

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Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film adaptation, we must first apprehend their sensual form. Acros
The Address of the Eye
Language: en
Pages: 356
Authors: Vivian Sobchack
Categories: Performing Arts
Type: BOOK - Published: 2020-05-05 - Publisher: Princeton University Press

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Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic a