Foundations of Musical Grammar

Foundations of Musical Grammar
Author: Lawrence Michael Zbikowski
Publisher:
Total Pages:
Release: 2017
Genre: MUSIC
ISBN: 9780190653668

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'Foundations of Musical Grammar' makes a unique contribution to music theory by building on recent research in cognitive science and theoretical perspectives adopted from cognitive linguistics to present an account of the foundations of musical grammar. In presenting this account, it engages with music and the emotions, gesture, and social dance.


Foundations of Musical Grammar
Language: en
Pages: 273
Authors: Lawrence Michael Zbikowski
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2017 - Publisher: Oxford University Press

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How is it that humans are able to organize seemingly random sounds into the captivating sonic structures we call music? In this volume, Lawrence M. Zbikowski ar
Foundations of Musical Grammar
Language: en
Pages:
Authors: Lawrence Michael Zbikowski
Categories: MUSIC
Type: BOOK - Published: 2017 - Publisher:

GET EBOOK

'Foundations of Musical Grammar' makes a unique contribution to music theory by building on recent research in cognitive science and theoretical perspectives ad
Foundations of Musical Grammar
Language: en
Pages: 273
Authors: Lawrence M. Zbikowski
Categories: Music
Type: BOOK - Published: 2017-08-02 - Publisher: Oxford University Press

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In recent years, music theorists have been increasingly eager to incorporate findings from the science of human cognition and linguistics into their methodology
Conceptualizing Music
Language: en
Pages: 377
Authors: Lawrence M. Zbikowski
Categories: Music
Type: BOOK - Published: 2002-11-14 - Publisher: Oxford University Press

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This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how w
Enacting Musical Time
Language: en
Pages: 325
Authors: Mariusz Kozak
Categories: Music
Type: BOOK - Published: 2019-10-09 - Publisher: Oxford University Press

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What is musical time? Where is it manifested? How does it enter into our experience, and how do we capture it in our analyses? A compelling approach among works