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Proposes new critical directions in Latin American film. Framing Latin American Cinema embraces multiple modes of scholarship, juxtaposing feature films and documentaries, and locating cinema within larger cultural debates. Considering works from Argentina, Brazil, Cuba, Colombia, Guatemala, Mexico, and Venezuela, the contributors address a range of topics including studies of directors like Roman Chalbaud and Fernando Perez, examinations of viewer patterns and critical tendencies, and analyses of Mexican melodrama, revolutionary films, and such internationally acclaimed works as Dona Herlinda and A Place in the World.
Proposes new critical directions in Latin American film. Framing Latin American Cinema embraces multiple modes of scholarship, juxtaposing feature films and doc
Proposes new critical directions in Latin American film. Framing Latin American Cinema embraces multiple modes of scholarship, juxtaposing feature films and doc
This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is increasingly returning
The Cinema of Latin America is the first volume in the new 24 Frames series of studies of national and regional cinema. In taking an explicitly text-centered ap
The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the co
