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This engaging study introduces the reader to one of the greatest achievements of Western art: the climactic phase of Gothic architecture in the first half of the thirteenth century. Through a comparative analysis of the cathedrals of Chartres, Reims, and Amiens, the author illuminates the technical, theological, artistic, and social factors that formed the High Gothic synthesis. Drawing on a lifetime of scholarship, he successively characterizes the different parts of the Gothic cathedral and describes the human context of the three great buildings.
This engaging study introduces the reader to one of the greatest achievements of Western art: the climactic phase of Gothic architecture in the first half of th
We can only begin to understand the 'spirit of the Gothic' through an understanding of the historical, sociological, theological, economic and technological bac
"Re-examines the sculpture on the transept porches of Chartres Cathedral and revises their chronology, based on information from the previously unstudied tomb o
