Image On The Edge

It is here at the edge--of the monastery, the cathedral, the court, the city--that medieval artists found room for experimentation, for glossing, parodying, modernizing, and questioning cultural authority without ever undermining it. Viewing marginalia in their proper social and cultural context, Camille reveals scandalous and subversive aspects, as well as apparently paradoxical stabilizing functions. He rejects oppositions such as high and low, profane and sacred, and instead projects a vision of medieval culture in which marginal resistance, inversion, and transgression play an integral, even necessary, role.