Instrumental Music in an Age of Sociability

Instrumental Music in an Age of Sociability
Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
Total Pages: 613
Release: 2019-10-10
Genre: Music
ISBN: 110701381X

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Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).


Instrumental Music in an Age of Sociability
Language: en
Pages: 613
Authors: W. Dean Sutcliffe
Categories: Music
Type: BOOK - Published: 2019-10-10 - Publisher: Cambridge University Press

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Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional regis
Music, Culture and Social Reform in the Age of Wagner
Language: en
Pages:
Authors: James Garratt
Categories: Music
Type: BOOK - Published: 2010-01-21 - Publisher: Cambridge University Press

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Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-politi
Italian Opera in Global and Transnational Perspective
Language: en
Pages: 341
Authors: Axel Körner
Categories: Music
Type: BOOK - Published: 2022-03-24 - Publisher: Cambridge University Press

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This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. C
Mozart the Performer
Language: en
Pages: 277
Authors: Dorian Bandy
Categories: Music
Type: BOOK - Published: 2023-12-05 - Publisher: University of Chicago Press

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An innovative study of the ways performance influenced Mozart’s compositional style. We know Mozart as one of history’s greatest composers. But his contempo
Women and Musical Salons in the Enlightenment
Language: en
Pages: 388
Authors: Rebecca Cypess
Categories: History
Type: BOOK - Published: 2022-05-20 - Publisher: University of Chicago Press

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Musical salons as liminal spaces: salonnières as agents of musical culture -- Sensuality, sociability, and sympathy: musical salon practices as enactments of E