Jewish Music and Modernity

Jewish Music and Modernity
Author: Philip Bohlman
Publisher: Oxford University Press, USA
Total Pages: 316
Release: 2012
Genre: History
ISBN: 0199946841

Download Jewish Music and Modernity Book in PDF, Epub and Kindle

Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.


Jewish Music and Modernity
Language: en
Pages: 316
Authors: Philip Bohlman
Categories: History
Type: BOOK - Published: 2012 - Publisher: Oxford University Press, USA

GET EBOOK

Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighte
Jewish Music and Modernity
Language: en
Pages: 280
Authors: Philip Vilas Bohlman
Categories: Jews
Type: BOOK - Published: 2008 - Publisher:

GET EBOOK

Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighte
Music and Jewish Culture in Early Modern Italy
Language: en
Pages: 318
Authors: Lynette Bowring
Categories: History
Type: BOOK - Published: 2022-03 - Publisher: Indiana University Press

GET EBOOK

Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music
Makers of Jewish Modernity
Language: en
Pages: 688
Authors: Jacques Picard
Categories: Art
Type: BOOK - Published: 2016-08-09 - Publisher: Princeton University Press

GET EBOOK

A unique reference to leading Jewish figures who helped shape the modern world This superb collection presents more than forty incisive portraits of leading Jew
Jewish Musical Modernism, Old and New
Language: en
Pages: 240
Authors: Philip V. Bohlman
Categories: Music
Type: BOOK - Published: 2008-11-15 - Publisher: University of Chicago Press

GET EBOOK

Tackling the myriad issues raised by Sander Gilman’s provocative opening salvo—”Are Jews Musical?”—this volume’s distinguished contributors present