Minds, Bodies, Machines, 1770-1930

Minds, Bodies, Machines, 1770-1930
Author: D. Coleman
Publisher: Springer
Total Pages: 242
Release: 2011-04-11
Genre: Literary Criticism
ISBN: 0230307531

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It is during the nineteenth-century, the age of machinery, that we begin to witness a sustained exploration of the literal and discursive entanglements of minds, bodies, machines. This book explores the impact of technology upon conceptions of language, consciousness, human cognition, and the boundaries between materialist and esoteric sciences.


Minds, Bodies, Machines, 1770-1930
Language: en
Pages: 242
Authors: D. Coleman
Categories: Literary Criticism
Type: BOOK - Published: 2011-04-11 - Publisher: Springer

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It is during the nineteenth-century, the age of machinery, that we begin to witness a sustained exploration of the literal and discursive entanglements of minds
A Research Guide to Gothic Literature in English
Language: en
Pages: 253
Authors: Sherri L. Brown
Categories: Literary Criticism
Type: BOOK - Published: 2018-03-15 - Publisher: Rowman & Littlefield

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The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literatu
Machines
Language: en
Pages: 190
Authors: Abraham P. DeLeon
Categories: Education
Type: BOOK - Published: 2015-01-01 - Publisher: IAP

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This book is about machines: those that have been actualized, fantastical imaginal machines, to those deployed as metaphorical devices to describe complex socia
Novel Sensations
Language: en
Pages: 208
Authors: Jon Day
Categories: Literary Criticism
Type: BOOK - Published: 2020-08-18 - Publisher: Edinburgh University Press

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Concentrating on the work of four major modernist authors - Virginia Woolf, James Joyce, Wyndham Lewis and Samuel Beckett - this book examines the close links b
Discourses of Vision in Nineteenth-Century Britain
Language: en
Pages: 274
Authors: Jonathan Potter
Categories: Literary Criticism
Type: BOOK - Published: 2018-09-22 - Publisher: Springer

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This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave express