Musical Debate and Political Culture in France, 1700-1830

Musical Debate and Political Culture in France, 1700-1830
Author: Robert James Arnold
Publisher: Boydell & Brewer
Total Pages: 241
Release: 2017
Genre: History
ISBN: 1783272015

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The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common themes of authority, national prestige and the power of music over popular sentiment.


Musical Debate and Political Culture in France, 1700-1830
Language: en
Pages: 241
Authors: Robert James Arnold
Categories: History
Type: BOOK - Published: 2017 - Publisher: Boydell & Brewer

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The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common th
The Creative Labor of Music Patronage in Interwar France
Language: en
Pages: 256
Authors: Louis K. Epstein
Categories: Music
Type: BOOK - Published: 2022 - Publisher: Boydell & Brewer

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Challenges the longstanding perception that modernist composers made art, not money, and that those who made money somehow failed to make art.Patrons have long
America in the French Imaginary, 1789-1914
Language: en
Pages: 410
Authors: Diana R. Hallman
Categories: Music
Type: BOOK - Published: 2022-05-17 - Publisher: Boydell & Brewer

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Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, i
Music, Nature and Divine Knowledge in England, 1650-1750
Language: en
Pages: 366
Authors: Tom Dixon
Categories:
Type: BOOK - Published: 2023-05-16 - Publisher: Boydell & Brewer

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During a period of tumultuous change in English political, religious and cultural life, music signified the unspeakable presence of the divine in the world for
Canonic Repertories and the French Musical Press
Language: en
Pages: 328
Authors: William Weber
Categories: History
Type: BOOK - Published: 2021 - Publisher: Boydell & Brewer

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A bold application of the concept of canonical works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.