New Theatre Quarterly 35: Volume 9, Part 3

New Theatre Quarterly 35: Volume 9, Part 3
Author: Clive Barker
Publisher: Cambridge University Press
Total Pages: 108
Release: 1993-10-14
Genre: Drama
ISBN: 9780521448147

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Provides an international forum for the discussion of topics of current interest in theatre studies. This issue includes articles on women and theatre in Spain; Sarah Bernhardt in Vaudeville; Giorgio Strehler's 'Faust' project; Deborah Levy in interview; and social space in ancient theatre.


New Theatre Quarterly 35: Volume 9, Part 3
Language: en
Pages: 108
Authors: Clive Barker
Categories: Drama
Type: BOOK - Published: 1993-10-14 - Publisher: Cambridge University Press

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Provides an international forum for the discussion of topics of current interest in theatre studies. This issue includes articles on women and theatre in Spain;
New Theatre Quarterly 33: Volume 9, Part 1
Language: en
Pages: 108
Authors: Clive Barker
Categories: Drama
Type: BOOK - Published: 1993-04 - Publisher: Cambridge University Press

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One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
New Theatre Quarterly 36: Volume 9, Part 4
Language: en
Pages: 100
Authors: Clive Barker
Categories: Drama
Type: BOOK - Published: 1993-12-16 - Publisher: Cambridge University Press

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One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
New Theatre Quarterly 51: Volume 13, Part 3
Language: en
Pages: 108
Authors: Clive Barker
Categories: Drama
Type: BOOK - Published: 1997-11-06 - Publisher: Cambridge University Press

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Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
New Theatre Quarterly 55: Volume 14, Part 3
Language: en
Pages: 108
Authors: Clive Barker
Categories: Drama
Type: BOOK - Published: 1998-11-19 - Publisher: Cambridge University Press

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New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subje