The Perils of Moviegoing in America

The Perils of Moviegoing in America
Author: Gary D. Rhodes
Publisher: A&C Black
Total Pages: 384
Release: 2012-01-01
Genre: Performing Arts
ISBN: 144113610X

Download The Perils of Moviegoing in America Book in PDF, Epub and Kindle

Recaptures the lost history of the physical and moral perils that faced audiences at American movie theatres during the first fifty years of the cinema.


The Perils of Moviegoing in America
Language: en
Pages: 384
Authors: Gary D. Rhodes
Categories: Performing Arts
Type: BOOK - Published: 2012-01-01 - Publisher: A&C Black

GET EBOOK

Recaptures the lost history of the physical and moral perils that faced audiences at American movie theatres during the first fifty years of the cinema.
Perils of Moviegoing in America
Language: en
Pages: 383
Authors: Gary Don Rhodes
Categories: Motion picture audiences
Type: BOOK - Published: 2012 - Publisher:

GET EBOOK

During the first fifty years of the American cinema, the act of going to the movies was a risky process, fraught with a number of possible physical and moral da
The Palgrave Encyclopedia of American Horror Film Shorts
Language: en
Pages: 718
Authors: Gary D. Rhodes
Categories: Performing Arts
Type: BOOK - Published: 2022-07-26 - Publisher: Springer Nature

GET EBOOK

The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released
Philosophy, Film, and the Dark Side of Interdependence
Language: en
Pages: 249
Authors: Jonathan Beever
Categories: Philosophy
Type: BOOK - Published: 2020-11-03 - Publisher: Rowman & Littlefield

GET EBOOK

Why might interdependence, the idea that we are made up of our relations, be horrifying? Philosophy, Film, and the Dark Side of Interdependence argues that phil
New Perspectives on Early Cinema History
Language: en
Pages: 304
Authors: Mario Slugan
Categories: Performing Arts
Type: BOOK - Published: 2022-06-02 - Publisher: Bloomsbury Publishing

GET EBOOK

In this book, editors Mario Slugan and Daniƫl Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods