Pictures and Visuality in Early Modern China

Pictures and Visuality in Early Modern China
Author: Craig Clunas
Publisher: Reaktion Books
Total Pages: 230
Release: 1997
Genre: Art
ISBN: 9781861890085

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Pictures were a major source of consumable luxury at this period; pictures not only in the form of independently circulating images classifiable as 'art', but also in the form of wall decoration, in books, prints, maps, 'pictures' on ceramics and lacquer boxes, on textile furnishings, and even on the dress of the prosperous. Artefacts that had previously been decorated with formal patterns, or with plants and animals only, now bore landscape scenes, representations of historical characters and incidents, and scenes from literature, often closely related to the world of the illustrated book.


Pictures and Visuality in Early Modern China
Language: en
Pages: 230
Authors: Craig Clunas
Categories: History
Type: BOOK - Published: 2006-03-01 - Publisher: Reaktion Books

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Pictures and Visuality in Early Modern China is not simply a survey of sixteenth-century images, but rather, a thorough and thoughtful examination of visual cul
Pictures & Visuality in Early Modern China
Language: en
Pages:
Authors:
Categories:
Type: BOOK - Published: 2007 - Publisher:

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Superfluous Things
Language: en
Pages: 252
Authors: Craig Clunas
Categories: Social Science
Type: BOOK - Published: 2004-05-31 - Publisher: University of Hawaii Press

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Now in paperback This outstanding and original book, presented here with a new preface, examines the history of material culture in early modern China. Craig Cl
Empire of Great Brightness
Language: en
Pages: 288
Authors: Craig Clunas
Categories: Art, Chinese
Type: BOOK - Published: 2007 - Publisher:

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Empire of Great Brightnessis an innovative and accessible history of a high point in Chinese culture, seen through the riches of its images and objects. Not a s
Visualising China, 1845-1965
Language: en
Pages: 541
Authors: Christian Henriot
Categories: History
Type: BOOK - Published: 2012-11-09 - Publisher: BRILL

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In Visualizing China, the authors launch a broad inquiry aimed at a synergistic understanding of the story of visuality in modern China. The essays cluster arou