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A collection of 13 essays from a fall 1994 conference in Kent, Ohio. They cover the ideological, the mnemonic, the parodic, and the media; issues of cross-cultural identity and national cinemas; postmodernism and tourism, (post)history, and colonization; and auteurial presences. Specific topics include Aladdin as a postmodern text, de- authorizing the auteur, imaginary geographies in contemporary French cinema, and the dual paternity of Querelle. No subject index. Annotation copyrighted by Book News, Inc., Portland, OR
This volume focuses on postmodern film aesthetics and contemporary challenges to the aesthetic paradigms dominating analyses of Hollywood cinema. It explores co
Although "Postmodernism" has been a widely used catch word and its concept extensively discussed in philosophy, political thought, and the arts, many scholars s
Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this u
A collection of 13 essays from a fall 1994 conference in Kent, Ohio. They cover the ideological, the mnemonic, the parodic, and the media; issues of cross-cultu
A World in Chaos: Social Crisis and the Rise of Postmodern Cinema traces the evolution of postmodern cinema through its multiple and overlapping expressions. Th