Prime Time Soap Operas on Indian Television

Prime Time Soap Operas on Indian Television
Author: Shoma Munshi
Publisher: Routledge
Total Pages: 365
Release: 2010
Genre: Performing Arts
ISBN: 0415553776

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This book focuses on âe~urban family soapsâe(tm) on television and analyses them as an important resource for anthropological insights into contemporary social issues and practices. It studies the âe~popularâe(tm) and âe~everydayâe(tm) while also concentrating on the middle class.


Prime Time Soap Operas on Indian Television
Language: en
Pages: 292
Authors: Shoma Munshi
Categories: Social Science
Type: BOOK - Published: 2020-02-18 - Publisher: Taylor & Francis

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This book examines the phenomenon of prime time soap operas on Indian television. An anthropological insight into social issues and practices of contemporary In
Soft-soaping India
Language: en
Pages: 156
Authors: K. Moti Gokulsing
Categories: Performing Arts
Type: BOOK - Published: 2004 - Publisher: Stylus Publishing, LLC.

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At least one third of India's billion inhabitants regularly watch Indian soap operas, which have displaced popular cinema as the prime entertainment genre. And
The Survival of Soap Opera
Language: en
Pages: 355
Authors: Sam Ford
Categories: Performing Arts
Type: BOOK - Published: 2010-11-03 - Publisher: Univ. Press of Mississippi

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The soap opera, one of U.S. television's longest-running and most influential formats, is on the brink. Declining ratings have been attributed to an increasing
Once Upon A Prime Time
Language: en
Pages: 254
Authors: Ananth Mahadevan
Categories: Performing Arts
Type: BOOK - Published: 2020-07-20 - Publisher: Embassy Books

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In Once Upon A Prime Time, Ananth Mahadevan pens the memoirs of his journey on Indian television. From first hand experiences with film makers who were the foun
Screening Culture, Viewing Politics
Language: en
Pages: 452
Authors: Purnima Mankekar
Categories: Performing Arts
Type: BOOK - Published: 1999 - Publisher: Duke University Press

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An ethnography of urban women television viewers in India, and their reception of particular shows, especially in relation to issues of gender and nation.