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This outstanding collection of Susan McClary's work exemplifies her contribution to a bridging of the gap between historical context, culture and musical practice. The selection includes essays which have had a major impact on the field and others which are less known and reproduced here from hard-to-find sources. The volume is divided into four parts: Interpretation and Polemics, Gender and Sexuality, Popular Music, and Early Music. Each of the essays treats music as cultural text and has a strong interdisciplinary appeal. Together with the autobiographical introduction they will prove essential reading for anyone interested in the life and times of a renegade musicologist.
(Faber Piano Adventures ). Book 2 of the I Can Read Music series provides an extra tool to help students gain certainty and confidence in note reading. With its
A beginning note-reading book designed for Suzuki-trained violoncello students who have learned to play using an aural approach, or for traditionally taught stu
(Amadeus). Score reading provides insights into the musical structure of a work that are difficult to obtain from merely listening. Many listeners and amateurs
This outstanding collection of Susan McClary's work exemplifies her contribution to a bridging of the gap between historical context, culture and musical practi
One of Europe's biggest selling music authors offers an oversize, boldly designed tutorial with CD that teaches how to read music for any instrument. 1,000 illu
