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Reflets réciproques: A Prismatic Reading of Stéphane Mallarmé and Hélène Cixous evokes the refractory aspect of a prism that bends and deflects light in order to produce a spectrum of twentieth-century thought emanating from the late nineteenth-century French literary avant-garde. Because the works of Mallarmé and Cixous are often described as hermetic and illisible, Jacques Derrida intervenes to play the role of intermediary through his separate writings on these poets. Important questions arise: How does the elliptical writing of Mallarmé relate to the hyperbolic writing of Cixous? What common strategies emerge and how do these strategies address the critical areas of sexual difference and political testimony for each writer?
Reflets réciproques: A Prismatic Reading of Stéphane Mallarmé and Hélène Cixous evokes the refractory aspect of a prism that bends and deflects light in or
Countering the conventional image of the deliberately obscure "ivory-tower poet," Frameworks for Mallarmé presents Stéphane Mallarmé as a journalist and crit
"Although Mallarme is commonly viewed as the high priest of the autonomous work of art, by far the bulk of his actual poetic writing was occasional verse. With
Yenser ranges over all of Merrill's writing to date, from a precocious book printed when its author was fifteen to his most recent publication, a verse play. He
This innovative analysis of the role of imagination as a central concept in both literary and art criticism studies works by Rimbaud, Mallarmé, Kandinsky, and