Renaissance Magic and the Return of the Golden Age

Renaissance Magic and the Return of the Golden Age
Author: John S. Mebane
Publisher: U of Nebraska Press
Total Pages: 340
Release: 1992-01-01
Genre: Literary Criticism
ISBN: 9780803281790

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For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In Renaissance Magic and the Return of the Golden Age John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted.


Renaissance Magic and the Return of the Golden Age
Language: en
Pages: 340
Authors: John S. Mebane
Categories: Literary Criticism
Type: BOOK - Published: 1992-01-01 - Publisher: U of Nebraska Press

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For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three gr
The Myth of the Golden Age in the Renaissance
Language: en
Pages: 231
Authors: Harry Levin
Categories: Comparative literature
Type: BOOK - Published: 1961 - Publisher:

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The myth of the Golden Age in the Renaissance
Language: en
Pages: 0
Authors: Harry Levin
Categories: Renaissance
Type: BOOK - Published: 1969 - Publisher:

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Witchcraft and Society in England and America, 1550-1750
Language: en
Pages: 285
Authors: Marion Gibson
Categories: History
Type: BOOK - Published: 2006-10-12 - Publisher: A&C Black

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A collection of materials, including works of literature as well as historical documents, this work provides a broad view of how witches and magicians were repr
Supernatural and Secular Power in Early Modern England
Language: en
Pages: 237
Authors: Marcus Harmes
Categories: History
Type: BOOK - Published: 2016-04-01 - Publisher: Routledge

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For the people of early modern England, the dividing line between the natural and supernatural worlds was both negotiable and porous - particularly when it came