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Romanticism is often regarded as a turning point in literary history, the time when writers such as Wordsworth and Coleridge renounced the common legacy of poets and sought to create a new literature. Yet despite their emphasis on originality, genius, and spontaneity, the first-generation Romantics manifest a highly intertextual style that, while repressing certain classical and neoclassical literary conventions, reveals a deep dependence on those same rhetorical practices. Repression results in the symptoms of originality but it inevitably leads to the return of tradition in a different form.
Romanticism is often regarded as a turning point in literary history, the time when writers such as Wordsworth and Coleridge renounced the common legacy of poet
First published in 1987. The major theme of this book is that sexual aversion or sexual phobia (that is, a persistent or recurrent extreme discomfort with or av
Romanticism and Speculative Realism features a range of scholars working at the intersection of literary poetics and philosophy. It considers how the writing of
The contributors to Against Life think critically about the turn to life in recent theory and culture. Editors Alastair Hunt and Stephanie Youngblood shape thei