Semiotics of Exile in Contemporary Chinese Film

Semiotics of Exile in Contemporary Chinese Film
Author: H. Zeng
Publisher: Springer
Total Pages: 181
Release: 2012-09-25
Genre: Performing Arts
ISBN: 1137031638

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Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed analysis of film language and theoretical exploration.


Semiotics of Exile in Contemporary Chinese Film
Language: en
Pages: 181
Authors: H. Zeng
Categories: Performing Arts
Type: BOOK - Published: 2012-09-25 - Publisher: Springer

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Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema di
Semiotics of Exile in Contemporary Chinese Film
Language: en
Pages: 255
Authors: H. Zeng
Categories: Performing Arts
Type: BOOK - Published: 2012-09-25 - Publisher: Springer

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Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema di
The Chinese Cinema Book
Language: en
Pages: 336
Authors: Song Hwee Lim
Categories: Performing Arts
Type: BOOK - Published: 2020-04-30 - Publisher: Bloomsbury Publishing

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This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disap
Cultural Semiotics
Language: en
Pages: 353
Authors: Anna Maria Lorusso
Categories: Social Science
Type: BOOK - Published: 2015-10-21 - Publisher: Springer

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Through a reevaluation of the work of some of the most important thinkers of the twentieth century, this book details how semiotics, social sense, and social co
Exploring Intersemiotic Translation Models
Language: en
Pages: 201
Authors: Haoxuan Zhang
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2023-06-29 - Publisher: Taylor & Francis

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This volume sets out a new paradigm in intersemiotic translation research, drawing on the films of Ang Lee to problematize the notion of films as the simple bin