Sound in Motion

Sound in Motion
Author: David McGill (Bassoonist)
Publisher:
Total Pages: 400
Release: 2007
Genre: Music
ISBN: 9780253349217

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David McGill has assembled an exhaustive study that uses the musical concepts of the legendary Marcel Tabuteau as a starting point from which to develop musical thought. McGill methodically explains the frequently misunderstood ""Tabuteau number system"" and its relationship to note grouping-the lifeblood of music. The controversial issue of baroque performance practice is also addressed. Instrumentalists and vocalists alike will find that many of the ideas presented in this book will help develop their musicianship as well as their understanding of what makes a performance ""musical.""


Sound in Motion
Language: en
Pages: 400
Authors: David McGill (Bassoonist)
Categories: Music
Type: BOOK - Published: 2007 - Publisher:

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David McGill has assembled an exhaustive study that uses the musical concepts of the legendary Marcel Tabuteau as a starting point from which to develop musical
Practical Art of Motion Picture Sound
Language: en
Pages: 681
Authors: David Lewis Yewdall
Categories: Computers
Type: BOOK - Published: 2012 - Publisher: Taylor & Francis

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ADR and looping --
Sound in Motion
Language: en
Pages: 223
Authors: Enrique Encabo
Categories: Music
Type: BOOK - Published: 2019-01-29 - Publisher: Cambridge Scholars Publishing

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Sound in Motion: Cinema, Videogames, Technology and Audiences is a collective volume that sheds more light on the intimate relationship between music and audiov
Sight, Sound, Motion
Language: en
Pages: 422
Authors: Herbert Zettl
Categories: Cinematography
Type: BOOK - Published: 2008 - Publisher:

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Media aesthetics have gained prominence with the dramatic advances in the digital technology of video and electronic cinema. In this dynamic field, Herb Zettl's
Voice in Motion
Language: en
Pages: 286
Authors: Gina Bloom
Categories: Literary Criticism
Type: BOOK - Published: 2013-04-19 - Publisher: University of Pennsylvania Press

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Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was freque