Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry

Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry
Author: Leo Shtutin
Publisher:
Total Pages:
Release: 2019
Genre: LITERARY CRITICISM
ISBN: 9780191860980

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A comparative study that explores conceptualisations of spatiality and subjecthood in the works of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry.


Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry
Language: en
Pages:
Authors: Leo Shtutin
Categories: LITERARY CRITICISM
Type: BOOK - Published: 2019 - Publisher:

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A comparative study that explores conceptualisations of spatiality and subjecthood in the works of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlin
Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry
Language: en
Pages: 200
Authors: Leo Shtutin
Categories: Literary Criticism
Type: BOOK - Published: 2019-02-07 - Publisher: Oxford University Press

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This study explores the interrelationship between spatiality and subjecthood in the work of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlinck, and
Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry
Language: en
Pages: 200
Authors: Leo Shtutin
Categories: Literary Criticism
Type: BOOK - Published: 2019-02-14 - Publisher: Oxford University Press

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This study explores the interrelationship between spatiality and subjecthood in the work of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlinck, and
Mallarmé and Debussy
Language: en
Pages: 246
Authors: Elizabeth McCombie
Categories: Literary Criticism
Type: BOOK - Published: 2003 - Publisher: Oxford University Press

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This book examines afresh the web of similarities and differences between music and poetry using works by Mallarm and Debussy as case studies. It challenges the
Everyday Life
Language: en
Pages: 448
Authors: Michael Sheringham
Categories: Literary Criticism
Type: BOOK - Published: 2006-03-09 - Publisher: OUP Oxford

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In the last twenty years the concept of the quotidien, or the everyday, has been prominent in contemporary French culture and in British and American cultural s