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He kupu whakataki (Introduction) -- 1. Ngā whakamāramatanga (Use and meaning) -- 2. Ngā momo me ngā āhua (Types and shapes) -- 3.Te putakenga mai (Physical origins) -- 4. Ngā kōrero kairangi (Exalted histories) -- 5. Ngā tohu a iwi (Tribal styles) -- 6. Ngā tai whakaawe (External versus local influence) -- 7. Ka whiti ka pūmau, 1750-1900 (Change and continuity, 1750-1900) -- 8.Te whānako toi taketake, ngā tau 1890-ināianei (Cultural appropriation, 1890s-present) -- 9. Te hei tiki me te Māori, 1900-ināianei -- He kupu whakakapi (Epilogue).
Preservation of natural and cultural heritage is often said to be something that is done for the future, or on behalf of future generations, but the precise rel
Published to mark 20 years since the landmark opening of Te Papa Tongarewa Museum of New Zealand in 1998, this illustrated book by well-known museum studies aca
The evolution of New Zealand's national art collection is closely linked with the story of Aotearoa New Zealand itself--its places, its people, and its developi
"Jean Tekura Mason's poetry reflects her life as a person living in two worlds - Polynesian and European. Some of her poems are reflective. Others are glib (and
