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More than perhaps any other genre, crime fiction invites debate over the role of popular fiction in English studies. This book offers lively original essays on teaching crime fiction written by experienced British and international scholar teachers, providing vital insight into this diverse genre through a series of compelling subjects. Taking its starting-point in pedagogical reflections and classroom experiences, the book explores methods for teaching students to develop their own critical perspectives as crime fiction critics, the impact of feminism, postcolonialism, and ecocriticism on crime fiction, crime fiction and film, the crime short story, postgraduate perspectives, and more.
More than perhaps any other genre, crime fiction invites debate over the role of popular fiction in English studies. This book offers lively original essays on
A murdered heiress, a missing necklace, and a train full of shifty, unusual, and suspicious characters leaves Daisy and Hazel with a new mystery to solve in thi
"What makes a good crime story and how do I write one?"Teach Yourself Crime Fictionanswers these questions for aspiring writers. It analyzes the elements of cri
LEARN HOW TO WRITE GRIPPING CRIME FICTION. Do you have an idea for a gripping crime novel? Would you like to know how to plot your book flawlessly? Do you want
"Irresistible... a Golden Age homage, an elegantly constructed mystery that on every page reinforces the message that everyone counts." –New York Times Book R