The American Tintype

The American Tintype
Author: Floyd Rinhart
Publisher:
Total Pages: 288
Release: 1999
Genre: Photography
ISBN:

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Two collectors of 19th-century photographia and a professor of photography, theater, and cinema (Ohio State U.) explore the uniquely American form of photography also known as melainotype and the ferrotype. Developed in Ohio, it flourished between 1861 and 1863 and was faster, cheaper, and more durable than the daguerreotype. It involved reproducing the photographic image on thin sheets of iron instead of glass. A century later they reveal details of hairstyles, clothing, and surroundings and a degree of relaxation that are lost from the more formal daguerreotypes of the time. Annotation copyrighted by Book News, Inc., Portland, OR


The American Tintype
Language: en
Pages: 288
Authors: Floyd Rinhart
Categories: Photography
Type: BOOK - Published: 1999 - Publisher:

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Two collectors of 19th-century photographia and a professor of photography, theater, and cinema (Ohio State U.) explore the uniquely American form of photograph
The Tintype in America, 1856-1880
Language: en
Pages: 270
Authors: Janice Gayle Schimmelman
Categories: Photography
Type: BOOK - Published: 2007 - Publisher:

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The American Tintype
Language: en
Pages: 288
Authors: Floyd Rinhart
Categories: Photography
Type: BOOK - Published: 1999 - Publisher:

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Two collectors of 19th-century photographia and a professor of photography, theater, and cinema (Ohio State U.) explore the uniquely American form of photograph
America and the Tintype
Language: en
Pages: 0
Authors: Steven Kasher
Categories: Photography
Type: BOOK - Published: 2008 - Publisher:

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One of the most intriguing and little studied forms of 19th century photography is the tintype. This title demonstrates how this inauspicious form of photograph
The Iron Plate in American Photography
Language: en
Pages: 120
Authors: Janice Gayle Schimmelman
Categories: Photography
Type: BOOK - Published: 2010-10-02 - Publisher:

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A collection of nineteenth-century tintypes in the collection of the author, with an introduction concerning the tintype as art.