The Cambridge Companion to Eighteenth-Century Opera

The Cambridge Companion to Eighteenth-Century Opera
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
Total Pages: 343
Release: 2009-06-25
Genre: Music
ISBN: 0521873584

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The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.


The Cambridge Companion to Eighteenth-Century Opera
Language: en
Pages: 343
Authors: Anthony R. DelDonna
Categories: Music
Type: BOOK - Published: 2009-06-25 - Publisher: Cambridge University Press

GET EBOOK

The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
The Cambridge Companion to Eighteenth-Century Opera
Language: en
Pages: 343
Authors: Anthony R. DelDonna
Categories: Music
Type: BOOK - Published: 2009-06-25 - Publisher: Cambridge University Press

GET EBOOK

Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valu
The Cambridge Companion to Eighteenth-Century Opera
Language: en
Pages: 316
Authors: Anthony R. DelDonna
Categories: Music
Type: BOOK - Published: 2011-09-28 - Publisher: Cambridge University Press

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Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valu
The Cambridge Companion to Seventeenth-Century Opera
Language: en
Pages: 723
Authors: Jacqueline Waeber
Categories: Music
Type: BOOK - Published: 2022-12-22 - Publisher: Cambridge University Press

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The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of ope
The Cambridge Companion to Twentieth-Century Opera
Language: en
Pages: 430
Authors: Mervyn Cooke
Categories: Music
Type: BOOK - Published: 2005-12-08 - Publisher: Cambridge University Press

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This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a di