The Cambridge Companion to Masaccio

The Cambridge Companion to Masaccio
Author: Diane Cole Ahl
Publisher: Cambridge University Press
Total Pages: 312
Release: 2002-07-22
Genre: Art
ISBN: 9780521660457

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This Companion explores the visual, intellectual, and religious culture of Renaissance Florence in the age of Masaccio, 1401-1428. Written by a team of internationally renowned scholars and conservators, the essays in this volume investigate the artistic, civic, and sacred contexts of Masaccio's works and the sites in which they were seen. Inspired by the 600th anniversary of Masaccio's birth, The Cambridge Companion to Masaccio celebrates the achievements, influence and legacy of early Renaissance art and one of its greatest masters.


The Cambridge Companion to Masaccio
Language: en
Pages: 312
Authors: Diane Cole Ahl
Categories: Art
Type: BOOK - Published: 2002-07-22 - Publisher: Cambridge University Press

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This Companion explores the visual, intellectual, and religious culture of Renaissance Florence in the age of Masaccio, 1401-1428. Written by a team of internat
Masaccio
Language: en
Pages: 120
Authors: Eliot Wooldridge Rowlands
Categories: Art
Type: BOOK - Published: 2003 - Publisher: Getty Publications

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Ranked by many scholars as the greatest master of early Italian Renaissance painting, Masaccio (1401-1428) was the first artist to use effects of light to creat
The Cambridge Companion to Giotto
Language: en
Pages: 43
Authors: Anne Derbes
Categories: Art
Type: BOOK - Published: 2004 - Publisher: Cambridge University Press

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Seven Painters Who Changed the Course of Art History
Language: en
Pages: 187
Authors: Brian Thom McQuade Ma.
Categories: Art
Type: BOOK - Published: 2012 - Publisher: AuthorHouse

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This is the biography of 7 painters who, from the 14th to the 19th century changed the history of art forever. The book is not just about their painting but als
Painterly Perspective and Piety
Language: en
Pages: 322
Authors: John F. Moffitt
Categories: Art
Type: BOOK - Published: 2014-01-10 - Publisher: McFarland

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While the Renaissance is generally perceived to be a secular movement, the majority of large artworks executed in 15th century Italy were from ecclesiastical co