The Cross in the Visual Culture of Late Antique Egypt

The Cross in the Visual Culture of Late Antique Egypt
Author: Gillian Spalding-Stracey
Publisher: BRILL
Total Pages: 265
Release: 2020-04-28
Genre: Religion
ISBN: 9004430512

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In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey offers an exploration of the variety of ways in which the Holy Cross was expressed in imagery, in the monastic and ecclesiastical settings of late antique Egypt.


The Cross in the Visual Culture of Late Antique Egypt
Language: en
Pages: 265
Authors: Gillian Spalding-Stracey
Categories: Religion
Type: BOOK - Published: 2020-04-28 - Publisher: BRILL

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In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey offers an exploration of the variety of ways in which the Holy Cross was expre
The Cross in the Visual Culture of Christian Egypt
Language: en
Pages: 0
Authors: Gillian Spalding-Stracey
Categories:
Type: BOOK - Published: 2018 - Publisher:

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This thesis focuses on representations of the cross, that most fundamental symbol of the Christian faith. More specifically, it is an art historical exploration
Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900
Language: en
Pages: 447
Authors: Ildar Garipzanov
Categories: History
Type: BOOK - Published: 2018-04-26 - Publisher: Oxford University Press

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Graphic Signs of Authority in Late Antiquity and the Early Middle Ages presents a cultural history of graphic signs and examines how they were employed to commu
The Art of Conversion
Language: en
Pages: 328
Authors: Cécile Fromont
Categories: Art
Type: BOOK - Published: 2014-12-19 - Publisher: UNC Press Books

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Between the sixteenth and the nineteenth centuries, the west central African kingdom of Kongo practiced Christianity and actively participated in the Atlantic w
Pseudo-Dionysius and Christian Visual Culture, c.500–900
Language: en
Pages: 351
Authors: Francesca Dell’Acqua
Categories: History
Type: BOOK - Published: 2019-11-20 - Publisher: Springer Nature

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This book uses Pseudo-Dionysius and his mystic theology to explore attitudes and beliefs about images in the early medieval West and Byzantium. Composed in the