The Death of Rhythm and Blues

The Death of Rhythm and Blues
Author: Nelson George
Publisher: Penguin
Total Pages: 257
Release: 2003-08-15
Genre: Social Science
ISBN: 1101160675

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From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down," this passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.


The Death of Rhythm and Blues
Language: en
Pages: 257
Authors: Nelson George
Categories: Social Science
Type: BOOK - Published: 2003-08-15 - Publisher: Penguin

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From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down," this passionate and provocative book tells the complete story of
Hip Hop America
Language: en
Pages: 260
Authors: Nelson George
Categories: Social Science
Type: BOOK - Published: 2005-04-26 - Publisher: Penguin

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From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering
R&B, Rhythm and Business
Language: en
Pages: 348
Authors: Norman Kelley
Categories: Business & Economics
Type: BOOK - Published: 2005 - Publisher: Akashic Books

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Given than hip hop music alone has generated more than a billion dollars in sales, the absence of a major black record company is disturbing. Even Motown is now
The Death of Rhythm & Blues
Language: en
Pages: 222
Authors: Nelson George
Categories: African American musicians
Type: BOOK - Published: 1989 - Publisher:

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Songs in the Key of Black Life
Language: en
Pages: 233
Authors: Mark Anthony Neal
Categories: Music
Type: BOOK - Published: 2014-02-04 - Publisher: Routledge

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In Songs in the Key of Black Life, acclaimed cultural critic Mark Anthony Neal turns his attention to Rhythm and Blues. He argues that R&B-often dismissed as ju