The Grasp That Reaches Beyond The Grave
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The Grasp That Reaches beyond the Grave
Author | : Venetria K. Patton |
Publisher | : SUNY Press |
Total Pages | : 228 |
Release | : 2013-01-01 |
Genre | : Social Science |
ISBN | : 143844737X |
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Explores black women writers treatment of the ancestor figure. The Grasp That Reaches beyond the Grave investigates the treatment of the ancestor figure in Toni Cade Bambaras The Salt Eaters, Paule Marshalls Praisesong for the Widow, Phyllis Alesia Perrys Stigmata and A Sunday in June, Toni Morrisons Beloved,Tananarive Dues The Between, and Julie Dashs film, Daughters of the Dust in order to understand how they draw on African cosmology and the interrelationship of ancestors, elders, and children to promote healing within the African American community. Venetria K. Patton suggests that the experience of slavery with its concomitant view of black women as natally dead has impacted African American women writers emphasis on elders and ancestors as they seek means to counteract notions of black women as somehow disconnected from the progeny of their wombs. This misperception is in part addressed via a rich kinship system, which includes the living and the dead. Patton notes an uncanny connection between depictions of elder, ancestor, and child figures in these texts and Kongo cosmology. These references suggest that these works are examples of Africanisms or African retentions, which continue to impact African American culture.
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