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This is a portrait of Diego Velázquez, from his arrival at the court of King Philip IV of Spain in May 1622, to his death 38 years and several hundred paintings later. It is a portrait of a relationship that is not quite a friendship, between a king and his subject and between an artist and his subject. It is a portrait of a ruler, always on duty, and increasingly burdened by a life of public expectation and repeated private grief. And it is a portrait of a court collapsing under the weight of its own excess.
This is a portrait of Diego Velázquez, from his arrival at the court of King Philip IV of Spain in May 1622, to his death 38 years and several hundred painting
"This volume contains nearly the entire creative output of Hans Holbein the Younger's Basel period, i.e. the productive and innovative years between 1515 and 15
This is the story of the forging of a national cultural institution in late eighteenth- and early nineteenth-century Britain. The Royal Academy of Arts was the
One of the greatest artists of the Renaissance, Hans Holbein the Younger was also a complex and fascinating man who knew Erasmus, Thomas More, Henry VIII and ma
