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In this study of modernist aesthetics, Beryl Schlossman reveals how for such writers as Marcel Proust, Gustave Flaubert, and Charles Baudelaire, the Orient came to symbolize the highest aspirations of literary representation. She demonstrates that through allegory, modernism became a style itself, a style that married the ancient and the modern and that emerged as both a cause and an effect, both an ideal construct and an textual materiality, all symbolized by the Orient-land of style, place of plurality, and site of the coexistence of holy lands. Toward the end of Remembrance of Things Past, t.
In this study of modernist aesthetics, Beryl Schlossman reveals how for such writers as Marcel Proust, Gustave Flaubert, and Charles Baudelaire, the Orient came
In this study of modernist aesthetics, Beryl Schlossman reveals how for such writers as Marcel Proust, Gustave Flaubert, and Charles Baudelaire, the Orient came
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of
Through an innovative use of style, her literary examples articulate an art of seduction and an aesthetic that transforms, suspends, or erases identity - indivi
Orientalism is a central factor within the fashion system, both subtle and overt. In this groundbreaking book, the author shows the extent of the influence that