The Oxford Handbook of Dance and the Popular Screen

The Oxford Handbook of Dance and the Popular Screen
Author: Melissa Blanco Borelli
Publisher: Oxford Handbooks
Total Pages: 497
Release: 2014
Genre: Literary Criticism
ISBN: 0199897824

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This text offers new ways of understanding dance on the popular screen in new scholarly arguments drawn from dance studies, performance studies, and film and media studies. Through these arguments, it demonstrates how this dance in popular film, television, and online videos can be read and considered through the different bodies and choreographies being shown.


The Oxford Handbook of Dance and the Popular Screen
Language: en
Pages: 497
Authors: Melissa Blanco Borelli
Categories: Literary Criticism
Type: BOOK - Published: 2014 - Publisher: Oxford Handbooks

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This text offers new ways of understanding dance on the popular screen in new scholarly arguments drawn from dance studies, performance studies, and film and me
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Authors: Dr. Sherril Dodds
Categories: Music
Type: BOOK - Published: 2018-11-01 - Publisher: Oxford University Press

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In the twenty-first century, values of competition underpin the free-market economy and aspirations of individual achievement shape the broader social world. Co
The Oxford Handbook of Screendance Studies
Language: en
Pages: 817
Authors: Douglas Rosenberg
Categories: Music
Type: BOOK - Published: 2016 - Publisher: Oxford University Press

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The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing
The Oxford Handbook of The American Musical
Language: en
Pages: 482
Authors: Raymond Knapp
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Type: BOOK - Published: 2011-11-04 - Publisher: OUP USA

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The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisci
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Language: en
Pages: 681
Authors: Mark Franko
Categories: Music
Type: BOOK - Published: 2017 - Publisher: Oxford University Press

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Starting from differences between reenactment and the more established practice of historical reconstruction, leading practitioners and theorists ask how the no