The Oxford Handbook of Japanese Cinema

The Oxford Handbook of Japanese Cinema
Author: Daisuke Miyao
Publisher: Oxford University Press
Total Pages: 497
Release: 2014
Genre: History
ISBN: 0199731667

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This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.


The Oxford Handbook of Japanese Cinema
Language: en
Pages: 497
Authors: Daisuke Miyao
Categories: History
Type: BOOK - Published: 2014 - Publisher: Oxford University Press

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This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema
The Oxford Handbook of Queer Cinema
Language: en
Pages: 865
Authors: Ronald Gregg
Categories: Performing Arts
Type: BOOK - Published: 2021 - Publisher: Oxford University Press

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"Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. While many scholars would
The Japanese Cinema Book
Language: en
Pages: 625
Authors: Hideaki Fujiki
Categories: Performing Arts
Type: BOOK - Published: 2020-04-02 - Publisher: Bloomsbury Publishing

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The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its h
A Critical Handbook of Japanese Film Directors
Language: en
Pages: 283
Authors: Alexander Jacoby
Categories: Performing Arts
Type: BOOK - Published: 2013-02-10 - Publisher: Stone Bridge Press

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This important work fills the need for a reasonably priced yet comprehensive volume on major directors in the history of Japanese film. With clear insight and w
The Oxford Handbook of Chinese Cinemas
Language: en
Pages: 730
Authors: Carlos Rojas
Categories: History
Type: BOOK - Published: 2013-04-25 - Publisher: Oxford University Press

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What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethn