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The primary focus of this book is accent which Lester argues is one of the major aspects of rhythm. The central question is not whether a note or event (rest point in time) is accented but how it is accented. This change of focus allows for the first time a thorough investigation into the factors that give rise to accent the relative importance of these factors in creating accentuation the way accents are perceived the way meter arises and the limits of metric organization on higher levels of structure.
The primary focus of this book is accent which Lester argues is one of the major aspects of rhythm. The central question is not whether a note or event (rest po
A theoretical study of classical and romantic music from Haydn to Wagner. Explores the process by which a relatively small and regular rhythmic unit is transfor
In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings.
This book is about the aesthetics of the tonal music. It therefore deals with sound forms such as consonance, dissonance, tonality, bar, counterpoint or motif.