Transmedial Landscapes and Modern Chinese Painting

Transmedial Landscapes and Modern Chinese Painting
Author: Juliane Noth
Publisher: Harvard East Asian Monographs
Total Pages: 400
Release: 2022-05-17
Genre:
ISBN: 9780674267947

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Juliane Noth shows how art and discussions about the future of ink painting were linked to the reshaping of the country, leading to the creation of a uniquely modern Chinese landscape imagery. Noth offers a new understanding of these experiments by studying them as transmedial practice, at once shaped by and integral to the modern global art world.


Transmedial Landscapes and Modern Chinese Painting
Language: en
Pages: 400
Authors: Juliane Noth
Categories:
Type: BOOK - Published: 2022-05-17 - Publisher: Harvard East Asian Monographs

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Juliane Noth shows how art and discussions about the future of ink painting were linked to the reshaping of the country, leading to the creation of a uniquely m
Transmedial Landscapes and Modern Chinese Painting
Language: en
Pages: 388
Authors: Juliane Noth
Categories: Art
Type: BOOK - Published: 2023-11-20 - Publisher: BRILL

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Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, phot
Transforming Traditions in Modern Chinese Painting
Language: en
Pages: 260
Authors: Jason C. Kuo
Categories: Art
Type: BOOK - Published: 2004 - Publisher: Peter Lang

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Modern Chinese painting embodies the constant renewal and reinvigorations of Chinese civilization amidst rebellions, reforms, and revolutions, even if the proce
Chinese Ways of Seeing and Open-Air Painting
Language: en
Pages: 336
Authors: Yi Gu
Categories: Art
Type: BOOK - Published: 2021-02-01 - Publisher: BRILL

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"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of moder
Chinese Landscape Painting as Western Art History
Language: en
Pages: 208
Authors: James Elkins
Categories: Art
Type: BOOK - Published: 2010-06-01 - Publisher: Hong Kong University Press

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This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill an