Tricksters and Trancers

Tricksters and Trancers
Author: Mathias Guenther
Publisher: Indiana University Press
Total Pages: 306
Release: 1999-11-22
Genre: History
ISBN: 9780253213440

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" . . . a first-rate piece of scholarship . . . an invaluable summary and commentary on the multilingual literature on [Bushman] people." —Choice The trickster and trance dancer are the guides through Bushman (or San) religion, a world of ambiguity and contradiction, and of enchantment. The two figures, who in Bushman belief are symbolically equivalent and mystically linked, embody these antistructural traits.


Tricksters and Trancers
Language: en
Pages: 306
Authors: Mathias Guenther
Categories: History
Type: BOOK - Published: 1999-11-22 - Publisher: Indiana University Press

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" . . . a first-rate piece of scholarship . . . an invaluable summary and commentary on the multilingual literature on [Bushman] people." —Choice The trickste
The Trickster Brain
Language: en
Pages: 316
Authors: David Williams
Categories: Social Science
Type: BOOK - Published: 2012-05-29 - Publisher: Lexington Books

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Until recently, scientific and literary cultures have existed side-by-side but most often in parallel universes, without connection. The Trickster Brain: Neuros
Bushman Letters
Language: en
Pages: 461
Authors: Michael Wessels
Categories: History
Type: BOOK - Published: 2010-04-01 - Publisher: NYU Press

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The Bleek and Lloyd Collection consists of the notebooks in which William Bleek and Lucy Lloyd transcribed and translated the narratives, cultural information a
Visionary Animal
Language: en
Pages: 371
Authors: Renaud Ego
Categories: Social Science
Type: BOOK - Published: 2019-01-01 - Publisher: NYU Press

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An illustrated collection that takes stock of current knowledge and proposes a new way of reading indigenous art For thousands of years, nomadic hunter-gatherer
Trickster Theatre
Language: en
Pages: 309
Authors: Jesse Weaver Shipley
Categories: Social Science
Type: BOOK - Published: 2015-06-22 - Publisher: Indiana University Press

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Trickster Theatre traces the changing social significance of national theatre in Ghana from its rise as an idealistic state project from the time of independenc