We Weren't Modern Enough

We Weren't Modern Enough
Author: Marsha Meskimmon
Publisher: Univ of California Press
Total Pages: 271
Release: 1999-10-14
Genre: Art
ISBN: 0520221346

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Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that in effect denied women a voice. The book is an effort to reconceive the period's art history and the perspective of the Weimar woman artist.


We Weren't Modern Enough
Language: en
Pages: 271
Authors: Marsha Meskimmon
Categories: Art
Type: BOOK - Published: 1999-10-14 - Publisher: Univ of California Press

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Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that
We Weren't Modern Enough
Language: en
Pages: 276
Authors: Marsha Meskimmon
Categories: Art
Type: BOOK - Published: 1999-10-14 - Publisher: Univ of California Press

GET EBOOK

Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that
Irma Stern and the Racial Paradox of South African Modern Art
Language: en
Pages: 203
Authors: LaNitra M. Berger
Categories: Art
Type: BOOK - Published: 2020-11-12 - Publisher: Bloomsbury Publishing

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South African artist Irma Stern (1894–1966) is one of the nation's most enigmatic modern figures. Stern held conservative political positions on race even as
Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art
Language: en
Pages: 339
Authors: Jessica Sjöholm Skrubbe
Categories: Art
Type: BOOK - Published: 2021-12-30 - Publisher: Routledge

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Based on hitherto overlooked archival material, this book reveals Nell Walden’s significant impact on the Sturm organisation through a feminist reading of sup
The Invisible Flâneuse?
Language: en
Pages: 208
Authors: Aruna D'Souza
Categories: Architecture
Type: BOOK - Published: 2006 - Publisher: Manchester University Press

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"This collection of essays revisits gender and urban modernity in nineteenth-century Paris in the wake of changes to the fabric of the city and social life. In