Analyzing Classical Form

Analyzing Classical Form
Author: William E. Caplin
Publisher: Oxford University Press
Total Pages: 759
Release: 2013-07
Genre: Music
ISBN: 0199987297

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Analyzing Classical Form offers an approach to the analysis of musical form that is especially suited for classroom use at both undergraduate and graduate levels. Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven.


Analyzing Classical Form
Language: en
Pages: 759
Authors: William E. Caplin
Categories: Music
Type: BOOK - Published: 2013-07 - Publisher: Oxford University Press

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Analyzing Classical Form offers an approach to the analysis of musical form that is especially suited for classroom use at both undergraduate and graduate level
Classical Form
Language: en
Pages: 320
Authors: William E. Caplin
Categories: Music
Type: BOOK - Published: 2000-12-28 - Publisher: Oxford University Press

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Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
Language: en
Pages: 386
Authors: David Beach
Categories: Music
Type: BOOK - Published: 2012-05-04 - Publisher: Routledge

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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis.
Analyzing Classical Form
Language: en
Pages: 759
Authors: William Earl Caplin
Categories: Music
Type: BOOK - Published: 2013-08 - Publisher: Oxford University Press

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Analyzing Classical Form offers an approach to the analysis of musical form that is especially suited for classroom use at both undergraduate and graduate level
Class, Control, and Classical Music
Language: en
Pages: 265
Authors: Anna Bull
Categories: Music
Type: BOOK - Published: 2019 - Publisher: Oxford University Press, USA

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Through an ethnographic study of young people playing and singing in classical music ensembles in the south of England, this text analyses why classical music i