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Taking De Lauretis' proposition that popular cinema is a 'technology of gender' the book explores the representation of women and the readerly activity of female audience members in respect of a group of eighteen films successful at the British box office between 1945 and 1965. A method for the analysis of fictional characters is presented and the discursive context within which contemporary meanings were formed is explored through reference to the press, particularly that addressed to a female readership.
Taking De Lauretis' proposition that popular cinema is a 'technology of gender' the book explores the representation of women and the readerly activity of femal
An extensive overview of female film directors worldwide, showing how they are breaking through the 'Celluloid Ceiling', and succeeding in a still very male-dom
What was the relation between gender and nation when the waiting woman was displaced by the mobile woman and homes were flattened by bombs? What happened to not
In a culture increasingly focused on visual media, students have learned not only to embrace multimedia presentations in the classroom, but to expect them. Such