Criticism, Performance and the Passions in the Eighteenth Century

Criticism, Performance and the Passions in the Eighteenth Century
Author: James Harriman-Smith
Publisher: Cambridge University Press
Total Pages: 249
Release: 2021-03-18
Genre: Drama
ISBN: 110883549X

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Recovers eighteenth-century appreciation of transition as a critical tool for analysing the expression and reception of emotion in theatre.


Criticism, Performance and the Passions in the Eighteenth Century
Language: en
Pages: 249
Authors: James Harriman-Smith
Categories: Drama
Type: BOOK - Published: 2021-03-18 - Publisher: Cambridge University Press

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Recovers eighteenth-century appreciation of transition as a critical tool for analysing the expression and reception of emotion in theatre.
Criticism, Performance, and the Passions in the Eighteenth Century
Language: en
Pages: 249
Authors: James Harriman-Smith
Categories: Drama
Type: BOOK - Published: 2021-03-18 - Publisher: Cambridge University Press

GET EBOOK

Great art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performan
Passions, Sympathy and Print Culture
Language: en
Pages: 296
Authors: Heather Kerr
Categories: History
Type: BOOK - Published: 2016-03-08 - Publisher: Springer

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This book explores ways in which passions came to be conceived, performed and authenticated in the eighteenth-century marketplace of print. It considers satire
What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century
Language: en
Pages: 151
Authors: James Harriman-Smith
Categories: Performing Arts
Type: BOOK - Published: 2023-12-14 - Publisher: Bloomsbury Publishing

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The stage of the 1700s established a star culture, with the emergence of such acting celebrities as David Garrick, Susannah Cibber, and Sarah Siddons. It placed
Actors, Audiences, and Emotions in the Eighteenth Century
Language: en
Pages: 231
Authors: Glen McGillivray
Categories: History
Type: BOOK - Published: 2023-02-20 - Publisher: Springer Nature

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This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth cen