Ecce Monstrum

In the 1930s, Georges Bataille proclaimed a ferociously religioussensibility characterized by simultaneous ecstasy and horror. Ecce Monstrum investigates this religious sensibility by examining Bataille's insistent linking of monstrosity and the sacred.Bataille enacts a monstrousmode of reading and writing in his approaches to other thinkers and artists-a mode at once agonistic and intimate. Ecce Monstrum examines this mode through investigations of Bataille's sacrificialinterpretations of Kojve's Hegel and Friedrich Nietzsche; his contentious relationship with Simone Weil and its implications for his mystical and writing practices; his fraught affiliation with surrealist Andr Breton and his attempt to displace surrealism with hyperchristianity; and his peculiar relations to artist Hans Bellmer, whose work evokes Bataille's religious sensibility